Nathaniel Stein (Brown University)
29 February 2012 5:00 PM
School of Oriental and African Studies- (SOAS) Brunei Gallery Room: B111
South and Southeast Asian Art & Archaeology Research Seminar
This paper explores the ways in which photographic representation of architectural sites became a way to mediate and give meaning to the image-maker's position at an intersection of local and imperial knowledges and affinities. In particular, it examines the photography of Robert Gill (1804-1879), a London-born military officer who came to play an important role in the systematic visual inventory of Indian topography -- most notably at Ajanta, but also at other sites in the region of present-day Maharashtra. More broadly, the paper raises questions about the ways in which we think about colonial archives, photographic authority, and modes of identity-formation available to British colonial subjects.
Free, open to the public
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